WGA strike opinion

Since everyone else has an opinion, here's mine:

It's utter BS that producers can't negotiate residuals for new media because the formats are too new and volatile. Saying that makes you look stupid and/or greedy (which you undoubtedly are).

Telling the producers that doubling your payment for DVD residuals was a hard and fast requirement of your bargaining position, and sticking to it until a day before the contract ended was moronic, WGA. They have every right to say you didn't negotiate in good faith, because you didn't.

I propose someone comes up with a fixed % value of profits (first runs and residuals) which will go to writers, probably per show format type, probably between 2% and 5%. Then write a contract where the writers get that %, no matter in what format the show is shown or distributed. Then negotiate the %.

That's my opinion.

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